Da Vinci code and cannes...oh my
 

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Fiery PostPosted: Wed May 17, 2006 3:04 am

Da Vinci code and cannes...oh my

'Da Vinci Code' Misses the Mark for Critics

By DAVID GERMAIN, AP Movie WriterTue May 16, 6:52 PM ET

"The Da Vinci Code" drew lukewarm praise, shrugs of indifference, some jeering laughter and a few derisive jabs Tuesday from arguably the world's toughest movie crowd: critics at the Cannes Film Festival.

The year's most anticipated movie, "The Da Vinci Code" was a generally faithful adaptation of Dan Brown's monster best seller, spinning a murder thriller that stems from a cover-up of secrets about Christianity's roots.

While readers worldwide devoured the novel, reaction from Cannes critics ranged from mild endorsement of its potboiler suspense to groans of ridicule over its heavy melodrama.

"It's a movie about whether the greatest story ever told is true or not, and it's not the greatest movie ever screened, is it?" said Baz Bamigboye, a film columnist for London's Daily Mail. "As a thriller, well," he continued, shrugging.

"Maybe the next day I'll forget about it," said Igor Soukmanov of Unistar Radio in Belarus. "But today for two hours it was good entertainment. ... As a Hollywood movie, it's a very nice picture."

Critics got their first look at "The Da Vinci Code" a day before its world premiere at Cannes on Wednesday, when it also debuts at theaters in France and some other countries. The film opens worldwide over the following two days, including the United States on Friday.

Directed by Ron Howard, the movie stars Tom Hanks and Audrey Tautou as strangers hurled together on a frantic quest for the Holy Grail after a series of murders is committed.

The filmmakers add some twists and variations here and there, but the general thrust of the novel remains intact, including its theory that Jesus Christ and Mary Magdalene were married and had a child, which has prompted denouncements from many Christians.

The Cannes audience clearly grew restless as the movie dragged on to two and a half hours and spun a long sequence of anticlimactic revelations.

"I kept thinking of the Energizer Bunny, because it kept going and going and going, and not in a good way," said James Rocchi, a film critic for CBS 5 television in San Francisco and the online outlet Cinematical. "Ron Howard makes handsome films. He doesn't make bad ones, but he doesn't make great ones."

One especially melodramatic line uttered by Hanks drew prolonged laughter and some catcalls, and the audience continued to titter for much of the film's remainder.

Some people walked out during the movie's closing minutes, though there were fewer departures than many Cannes movies provoke among harsh critics. When the credits rolled, there were a few whistles and hisses, and there was none of the scattered applause even bad movies sometimes receive at Cannes.

Critics singled out co-star Ian McKellen, playing a wry Grail enthusiast who joins the search, as the movie's highlight, injecting hearty humor and delivering the most nuanced performance. Paul Bettany added a seething mix of tragic pathos and destructive zealousness as a monk assassin who carries out the slayings.

Bamigboye said all the actors were solid, but enthusiastically added, "I've got to tell you, Ian McKellen steals it. He slices all the crap away."

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Walter Sobchak PostPosted: Wed May 17, 2006 3:43 pm

There is an unfortunate behind the scenes backlash against Ron Howard and anything he does as of late. Casting Tom Hanks was not a wise decision...Hanks does comedy...that's it. His dramatic chops are not and never will be honed. He is not on par with Robin Williams and Michael Keaton...comedic actors that also have the gift for drama.




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pax PostPosted: Wed May 17, 2006 6:12 pm

One thing to remember is that audiences at Cannes tend to be snooty and love to hate American films (unless the film trashes the U.S., lol).




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Walter Sobchak PostPosted: Wed May 17, 2006 6:29 pm

pax wrote:
One thing to remember is that audiences at Cannes tend to be snooty and love to hate American films (unless the film trashes the U.S., lol).


================================================

Very good point pax...I didn't take that into account. I don't care much for Hollywood movies...the few gems that are far and few between being the exception. I prefer the indies and foreign films.




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pax PostPosted: Fri May 19, 2006 8:39 pm

Saw the movie today. Thought it was hokey and tedious.




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Spuds PostPosted: Sat May 20, 2006 8:55 am

pax wrote:
Saw the movie today. Thought it was hokey and tedious.


I don't even care to go and see it. Seems like a big disappointment. I could hold out for cable.




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pax PostPosted: Sat May 20, 2006 12:05 pm

Yes Spuds, you can definitely wait for cable or dvd.




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Katie PostPosted: Mon May 22, 2006 1:42 pm

Walter Sobchak wrote:
There is an unfortunate behind the scenes backlash against Ron Howard and anything he does as of late. Casting Tom Hanks was not a wise decision...Hanks does comedy...that's it. His dramatic chops are not and never will be honed. He is not on par with Robin Williams and Michael Keaton...comedic actors that also have the gift for drama.

I love Tom Hanks, especially in Philadelphia.




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writergal PostPosted: Fri May 26, 2006 5:15 pm

pax wrote:
Saw the movie today. Thought it was hokey and tedious.


Then it was VERY faithful to the book!
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pax PostPosted: Fri May 26, 2006 7:32 pm

writergal wrote:
pax wrote:
Saw the movie today. Thought it was hokey and tedious.


Then it was VERY faithful to the book!


No kidding. I couldn't get past sixty pages. "Preeminent cryptologist so and so left her power lunch half-eaten."

Have you seen Anthony Lane's review in this week's New Yorker? It's hysterical.




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